
"It is true today, just most certainly as it was true in the 1930's of Dancing at Lughnasa, that Ireland exists at a wistful - and sometimes mad - crossroads. One makes a seasonal pilgrimage to pagan festivals after Sunday church services. Voices are raised in earthy airs, just as they join with others in hymns. Morning prayers bless homes, sanctified with a light rain of holy water; while during harvest nights in the forest, blazing fires stoke an abandon to Lugh, an ancient god of Light. It puts the Irish on a unique temporal plane - neither living purely in the past, nor absolutely in the present - but in both at the same time. This poetic alchemy of time occasionally creates a stubborness, but often a selflessness, an art of life and a resilient grace; but mostly a capacity for hope."
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